Usuario:Dreitmen/Hector Lavoe

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Héctor Lavoe
Información artística
Otros nombres El Cantante de los Cantantes,El Sabio
Género(s) Salsa, Bolero
Instrumento(s) Voz, Maracas
Período de actividad 1965 - 1988
Discográfica(s) Fania Records[1]​
Artistas relacionados Willie Colón, Fania All Stars, Joey Pastrana, Celia Cruz, Johnny Pacheco, Rubén Blades, Roberto Faz, Tito Gómez, Cheo Feliciano,Benny Moré
Web
Sitio web http://www.hectorlavoe.com/

Héctor Juan Pérez Martínez (30 de septiembre de 1946 – 29 de junio de 1993)[2]​ fue un cantante de Salsa Puertoriqueño salsa. Lavoe nació y se crió en Machuelito un sector de Ponce. Tempranamente estudió en el conservatorio y desarrolló interés inspirado por Jesús Sánchez Erazo.[3]​ Lavoe se mudo a Nueva York cuando tenia diecisiete años.[3]​ En su primera semana en Nueva York, el estuvo en la orquesta de Roberto García.[3]​ Durante ese periodo, el estuvo en otros grupos, incluida la Orquesta de Nueva York, Kako All-Stars y la orquesta de Johnny Pacheco.[4]​

En 1967, Lavoe se convirtió en vocalista en la Orquesta de Willie Colón.[5]​ En la orquesta de Willie Colón, Lavoe grabo grandes exitos como El malo y Canto a Borinquen. Mientras pertenecía a la orquesta de Willie Colón, Lavoe se convirtió en adicto a la drogas. Colón finalmente decidió no trabajar con Hector en el escenario, pero seguían siendo buenos amigos. Lavoe formó su propia orquesta, donde él era vocalista.[5]​ As a soloist Lavoe recorded several hits including El cantante, Bandolera and El periódico de ayer ('El Cantante' was composed by Ruben Blades, 'Bandolera' por Colón y 'Periódico' por Tite Curet Alonso.) Durante este periodo era invitado como vocalista de Fania All Stars.[3]​

En 1979, Lavoe cayó en una profunda depresión y buscó ayuda de un sacerdote (en la Santería) que atendio su problema de drogas. Después de su corta rehabilitación, sufrió otra recaída por la muerte de su padre, su hijo y su suegra.[2]​ Después de estos acontecimientos se le diagnosticó VIH, afectando a Lavoe a tal punto que intento suicidarse desde el balcón de un hotel.[2]​ Lavoe sobrevivio y grabó un album antes de que su estado de salud empeorara. Lavoe murió el 29 junio de 1993, debido a una complicación con el SIDA.[3]​

Early life[editar]

Héctor nació en Ponce, Puerto Rico, y se crio en el barrio de Machuelito barrio.[6]​ He was inspired early in life by his musically-talented family. His grandfather Don Juan Martínez was a singer of controversial songs, which often went from vocal conflict to physical confrontations. His uncle was a well-known tres player in Ponce.[6]​ His mother Pachita was well known among her family and townspeople for her beautiful singing voice.[6]​ His father Luis supported his wife and eight children by singing and playing guitar with trios and big bands. Héctor would also be influenced by Puerto Rican singers such as Jesus Sanchez Erazo also known as "Chuíto el de Bayamón"- one of the island's most successful folk singers, and Daniel Santos.[6]​ Later in his life, he would have the honor of recording songs with both artists.

Héctor attended the local Juan Morel Campos Public School of Music where the saxophone was the first instrument he learned to play. Among his classmates were Jose Febles and multi-instrumentalist Papo Lucca.[7]​ One of his teachers would strictly demand good diction, stage presence and manners from him claiming that as a bolero singer, Héctor would become a superstar. By the age of 17, Lavoe abandoned school and sang with a ten-piece band.[5]​ He moved permanently to New York on May 3, 1963, against his father's wishes, since an older brother had moved to the city and later died of a drug overdose.[8]​[9]​ It would take many more years before Héctor was able to reconcile with his father.

Archivo:Lavoe 7.jpg
Willie Colón and Héctor Lavoe

Arrival in New York City[editar]

He was met by his sister Priscilla upon arrival in New York.[10]​ The first thing he did in New York was visit El Barrio, New York's "Spanish Harlem."[10]​ Héctor was disappointed in the condition of El Barrio which contrasted with his vision of "fancy Cadillacs, tall marble skyscrapers and tree-lined streets."[10]​ Hector stayed at his sister's apartment in The Bronx, instead.

The first week in New York, Héctor was invited by his friend Roberto García, a fellow musician and childhood friend, to a rehearsal of a newly formed sextet.[10]​ When he arrived they were rehearsing the romantic bolero Tus Ojos. The lead vocalist was singing off key, and as a gesture of goodwill, Lavoe showed the vocalist how it was supposed to sound.[10]​ Following this event, the group offered him the spot of lead vocalist, which he subsequently accepted.[10]​

Later in his career, he joined other groups in the genre, including Orquesta New York, Kako All-Stars, and Johnny Pacheco. To distinguish Héctor from other Latino singers, a former manager made him adopt Felipe Rodriguez's moniker "La Voz" ("The Voice") and turned it into a stage name, Lavoe.[10]​

In 1967, he met Salsa musician & bandleader Willie Colón. Pacheco, co-owner of Fania Records and its recording musical director, suggested that Colón record Lavoe on a track of Colón's first album El Malo. Given the good results, Colón had Lavoe record the rest of the album's vocal tracks. Willie never officially asked Lavoe to join his band, but after the recording, Willie said to him, "On Saturday we start at 10 p.m. at El Tropicoro Club."[11]​

The album's success significantly transformed both Colón's and Lavoe's lives.[10]​ Colón's band featured a raw, aggressive all-trombone sound that was well received by salsa fans, and Lavoe complemented the style with his articulate voice, talent for improvisation, and sense of humor.[10]​ Héctor received instant recognition, steady work, and enough money to provide him with a comfortable lifestyle.[10]​ According to Lavoe, it happened so fast he did not know how to cope with the sudden success.

During that year Lavoe started a romantic relationship with Carmen Castro. Castro became pregnant but refused to marry him because she considered him a "womanizer."[12]​ Lavoe's first son, José Alberto Pérez was born on October 30, 1968.[12]​ On the night when José was baptized, Héctor received a call informing him that Nilda "Puchi" Roman (with whom he also had a relationship during the same period he was with Castro) was pregnant.[12]​ Héctor's second son, Héctor Jr. was born on September 25, 1969.[12]​ Following this event, the couple married, and following a request by Roman, Lavoe kept the amount of contact with Castro and José Alberto to a minimum during their marriage.[12]​

Music[editar]

The Willie Colón years[editar]

In late 1970, Colón and Lavoe recorded the first of two "Asalto Navideño" albums, featuring Puerto Rican folk songs such as Ramito's jibaro song "Patria y Amor" (renamed "Canto a Borinquen") and original compositions.[13]​

While enjoying his newly found success, Héctor became severely addicted to narcotics, namely heroin, and prescription drugs.[14]​ His addiction resulted in him showing up late for gigs, and he eventually did not show up to some scheduled performances at all. Although Colón would eventually cut ties with him, he tried to help Lavoe seek assistance to try to quit his drug habits.

Lavoe's lack of professionalism was often neutralized by an affable onstage presence, very much resembling that of a stand-up comedian.[15]​ Another famous incident has a middle-aged audience member at a dance request a Puerto Rican danza from Colón's band, to which Lavoe responded with an insult.[15]​ The requester then gave Lavoe such a beating that he almost ended up in the hospital. The request was finally honored in a later Colón record, "El Juicio" (The Trial), when he added a danza section to the Rafael Muñoz song "Soñando despierto", which Lavoe introduces with a deadpanned: "¡Para tí, Motherflower!" (a euphemism for "This one's for you, motherfucker!")[15]​

Archivo:Hector lavoe thebadboys.jpg
José Mangual, Héctor Lavoe and Willie Colón performing Che Che Colé

The Colón band had other major hits, such as "Calle Luna, Calle Sol", and the santería influenced "Aguanilé"; a Pacheco song recorded in the studio by the band, "Mi Gente", was better known in a live version Lavoe later recorded with the Fania All Stars.

Lavoe goes solo[editar]

In 1973, Willie Colón stopped touring to dedicate himself to record production and other business enterprises. Lavoe was given the opportunity of becoming bandleader to his own orchestra;[3]​ he and his band traveled the world on their own, and he would also be a guest singer for the Fania All-Stars. As part of these invitations, Lavoe was present at several shows with the group. One of the group's notable presentations took place in the Kinshasa providence of the Democratic Republic of the Congo, where the group performed as part of the activities promoting The Rumble in the Jungle, a boxing fight between Muhammad Ali and George Foreman for the heavyweight championships of the World Boxing Council and World Boxing Association.

The Fania All Stars recorded several of their tracks in live concerts. Lavoe was part of the group when the All-Stars returned to Yankee Stadium in 1975, where the band recorded a two volume production entitled Live at Yankee Stadium. The event featured the top vocalists in Fania and Vaya records, Lavoe was included in the group along with Ismael Miranda, Cheo Feliciano, Justo Betancourt, Ismael Quintana, Bobby Cruz, Pete "El Conde" Rodriguez, Santos Colón, and Celia Cruz. Lavoe recorded songs in fifteen different productions with the band serving as vocalist in twenty-three songs. Besides recording songs with the band, Lavoe was also present in three movies filmed and produced by Fania Records; these were: Fania All Stars: Our Latin Thing, Fania All Stars: Salsa, and Celia Cruz with the Fania All Stars: Live in Africa.[3]​ His Colón-produced albums would be best sellers; cuts from these albums were hits in Puerto Rico and the rest of Latin America:

  • Lavoe's recording of Tite Curet Alonso's "El Periódico de Ayer" was a number one hit in Mexican charts for four straight months. It was also a strong hit in several countries of the Caribbean and South America.[7]​
  • As a producer, Willie Colón had Lavoe record what would become his signature song, the Ruben Blades-authored song "El Cantante" against Blades' protests (Blades wanted to record the song on his own.). Blades has repeatedly acknowledged since then that, Lavoe raised his song to classic status and that Lavoe's performance was much better than what he would accomplish with it.
  • The Lavoe song "Bandolera" was a strong seller in Puerto Rico, despite strong protests from Puerto Rican feminists about its lyrics and soneos (Lavoe twice offers the song's subject a beating).[7]​
  • Lavoe's recording of the Nicolás Guillén poem "Sóngoro Cosongo", set to salsa music, was another major hit.[12]​
  • The controversial jíbaro song, "Joven contra viejo", featured Lavoe and Daniel Santos settling their age-based differences on-stage not without a heavy dose of humor and (yet again) Yomo Toro's cuatro music as a backdrop. Another major Christmas hit on Billboard Greatest hits for tropical genre in 1979 includes a song from singer/composer Miguel Poventud/Pier Music/ "Una Pena En La Navidad" in the same album titled "Feliz Navidad".[7]​
  • Lavoe's final hit, "El Rey de la Puntualidad" (The King of Punctuality), is a humorous takeoff on Lavoe's constant tardiness and occasional absenteeism from shows.[16]​[14]​ Lavoe followed the Santeria priest's advice and cut all communication with his family and friends for a period of two months.[14]​ Following this event Héctor, reappeared confident and apparently free of his drug addiction.[14]​

Following his rehabilitation, Lavoe's life was plagued by tragic events, emotional turmoil, and pain.[14]​ His mother-in-law and father died, and his seventeen year old son Hector, Jr. was accidentally shot by a friend. Also, Lavoe was diagnosed with HIV, the virus that progresses to AIDS, and these events were enough to push him to his limit.[14]​

On the night of Saturday, June 25, 1988, Héctor was scheduled to perform at the Rubén Rodríguez Coliseum in Bayamón, Puerto Rico. Sales for the concert were low, and Ralph Mercado who was the promoter of the event decided to cancel the concert.[2]​ Héctor, defiant to the end and knowing that it would be one of the last times he would perform in Puerto Rico, decided, against the promoter's wishes, to perform in front of the public who had paid to see the now canceled concert.[2]​

The next day, on June 26, 1988, Héctor attempted to commit suicide by jumping off the ninth floor of the Regency Hotel Condado in Puerto Rico.[11]​ No reason for this was ever determined. He survived the attempt, but from that day forward, he would never completely recover as AIDS began to ravage his body due to the use of intravenous drugs and shared needles.[2]​

In 1990, Hector performed for the last time (and with the Fania All Stars) in New Jersey.[10]​ It was to be a comeback concert, but Hector could not even sing a few notes of his famous song "Mi Gente".[10]​ This was his last public performance.

Héctor died in poverty on June 29, 1993, at a hospital in New York City. The cause of death was diagnosed as “a complication caused by AIDS."[3]​ He was initially buried in a plot in Saint Raymond's Cemetery in the Bronx. In June 2002, the bodies of both Lavoe and his son (who died in 1987) were exhumed per his family's request. They were reburied in his native Ponce, along with his widow Nilda who died a few weeks beforehand.

Posthumous recognitions[editar]

Lavoe's life has served as inspiration for two biographical films. The first, El Cantante, is produced by two of the most prominent celebrities in the musical genre: salsa artist Marc Anthony, stars as Lavoe, and Jennifer Lopez as Hector's wife, Nilda (known as "Puchi" by close friends).[17]​ Salsa singer La India was also producing her own biopic of Lavoe's life, entitled The Singer, with actor Raul Carbonell in the lead role.[18]​ This movie's production was suspended in August 2008, after the director, Anthony Felton, reported that the budget destined for the project had reached its limit. In response, Carbonell noted that he would reconsider his involvement in the production if the work is resumed.[19]​

Besides these films, an off-Broadway production of his life titled ¿Quién mató a Héctor Lavoe? (Who Killed Hector Lavoe?) was a success in the late 1990s.[20]​ It starred singer Domingo Quiñones in the lead role.[21]​ Carbonell's decision to distantiate himself from the film was directly influenced by his involvement in a tour of Quien Mato a Héctor Lavoe? in Puerto Rico, which was undergoing negotiations to be presented in Peru and Colombia.[22]​[19]​ An urban tribute album was released in late 2007 and was performed by several reggaeton artists such as Don Omar while resampling Lavoe's voice. [23]​

Discography[editar]

As vocalist of the Willie Colón Orchestra[editar]

(on Fania Records.)

  • El Malo (1967)[24]​
  • The Hustler (1968)[24]​
  • Guisando (1968)[24]​
  • Cosa Nuestra (1969)[24]​
  • La Gran Fuga (1970)[24]​
  • Asalto Navideño (1971)[24]​
  • El Juicio (1972)[24]​
  • Asalto Navideño Vol. 2 (1973)[24]​
  • Lo Mato (Si No Compra Este LP) (1973)[24]​
  • Willie (1974)[24]​
  • The Good, The Bad, The Ugly (1975)[24]​
  • Déjà vu (1978)[24]​
  • Vigilante (1983)[24]​

Soloist[editar]

With Tito Puente[editar]

  • Homenaje a Beny Moré Vol. 2 (1979) song: "Donde Estabas Tú"
  • Homenaje a Beny Moré Vol. 3 (1985) song: "Tumba Tumbador"

The Fania All Stars[editar]

  • Live at the Red Garter Vol.2 (1967) song: "Noche" with Pete "El Conde" Rodríguez, Ismael Miranda, & Adalberto Santiago
  • Live At The Cheetah Vol. 1 (1972) song: "Quítate Tu" with: Adalberto Santiago, Ismael Miranda, Pete "El Conde" Rodriguez, Santos Colon and Johnny Pacheco.
  • Live At The Cheetah Vol. 2 (1972) song: "Que Barbaridad" with Ismael Miranda.
  • Fania All Stars: Our Latin Thing-Soundtrack (1972) song: "Quítate Tu" with: Adalberto Santiago, Ismael Miranda, Pete "El Conde" Rodríguez, Santos Colon and Johnny Pacheco.
  • Fania All Stars Live at Yankee Stadium Vol. 1*(1975) song: "Mi Gente" recorded live at the inauguration concert of Roberto Clemente Coliseum, San Juan Puerto Rico 1974.
  • Fania All Stars Live at Yankee Stadium Vol. 2* (1975) song: "Congo Bongo" with Cheo Feliciano. Recorded live at the inauguration concert of Roberto Clemente Coliseum, San Juan Puerto Rico 1974.*One of the 100 most important recordings of the 20 century by the U.S. Congress Library.
  • Salsa, Original Motion Picture Sound Track Recording (1976) song: "Mi Gente" recorded live at the inauguration concert of Roberto Clemente Coliseum, San Juan Puerto Rico 1974.
  • Tribute To Tito Rodríguez (1976) songs: "Cuando, Cuando, Cuando" and "Vuela La Paloma" with Santos Colon, Ismael Quintana, Ismael Miranda, Justo Betancourt, Bobby Cruz, Pete "El Conde" Rodríguez & Cheo Feliciano.
  • Fania All Stars Live (1978) song: "Saca Tu Mujer" with Ismael Quintana, Santos Colon, Ismael Miranda, Cheo Feliciano, Celia Cruz & Justo Betancourt) Recorded Live at Madison Square Garden, New York, United States.
  • Habana Jam (1979) song: "Mi Gente / Barbarazo" with Wilfrido Vargas. Recorded Live at Karl Marx Theater, La Habana Cuba, March 3, 1979.
  • Commitment (1980) song: "Ublabadu".
  • Latin Connection (1981) song: "Semilla de Amor".
  • Lo Que Pide La Gente (1984) songs: "El Rey De La Puntualidad", "Por Eso Yo Canto Salsa" and "Usando El Coco" with Cali Aleman, Ismael Quintana, Ismael Miranda, Adalberto Santiago, Pete "El Conde" Rodríguez & Celia Cruz.
  • Viva La Charanga (1986) songs: "Me Voy Pa’ Morón", "Isla Del Encanto" & "Guajira Con Tumbao" with Ismael Miranda, Pete "El Conde" Rodríguez and Cali Aleman.
  • Bamboleo (1988) song: "Siento".

Lavoe also sang chorus on three songs of Mon Rivera's album with Willie Colón, "Se Chavó El Vecindario / There Goes The Neighborhood" (1974), and in the song "Las Cadenas de Chuíto" on Jesús Sanchez Erazo's album "Música Jíbara para las Navidades" (1978, re-released in 2000)

Films[editar]

References[editar]

  1. ↑ «Artist Profile - Héctor Lavoe». Fania Records. Consultado el 18 de julio de 2007. 
  2. ↑ a b c d e f Eileen Torres. «The Triumph and Tragedy of Hector Lavoe». Consultado el 13 de junio de 2007. 
  3. ↑ a b c d e f g h The Triumph and Tragedy of Hector Lavoe from salsacentro.com
  4. ↑ «Johny Pacheco en Miami» Univisión. Consultado el 25-09-2009
  5. ↑ a b c «CMT: Héctor Lavoe». Consultado el 16 de junio de 2007. 
  6. ↑ a b c d «Solo Sabor Latin Entertainment: Héctor Lavoe». Consultado el 13 de junio de 2007. 
  7. ↑ a b c d «Hector Lavoe: Cronología de un Bacán de Barrio». Consultado el 17 de junio de 2007. 
  8. ↑ «Héctor Lavoe: National Geographic Music». Consultado el 16 de junio de 2007. 
  9. ↑ «Héctor Lavoe - Salsa2u». Consultado el 17 de junio de 2007. 
  10. ↑ a b c d e f g h i j k l «Héctor Lavoe: His Life». Consultado el 16 de junio de 2007. 
  11. ↑ a b «TBXMIX: Héctor Lavoe». Consultado el 16 de junio de 2007. 
  12. ↑ a b c d e f «American Salsa: Héctor Lavoe». Consultado el 16 de junio de 2007. 
  13. ↑ «Willie Colón/Hector Lavoe - Asalto Navideño». , an ode to Panama's musical festivals that transposed a rather simple bass guitar line to trombone, producing a by-now classic salsa riff as a result.
  14. ↑ a b c d e f Pepe Márquez. «Héctor Lavoe: El cantante de los cantantes». Consultado el 13 de junio de 2007. 
  15. ↑ a b c Muriel, Tommy. «Rivalidades en la música latina (o la tiradera en la salsa)». Consultado el 13 de junio de 2007. 
  16. ↑ «Hector Lavoe >> El Rey de la puntualidad». J-Lyrics. Consultado el 9 de julio de 2007. 
  17. ↑ «El Cantante». Internet Movie Data Base. Consultado el 9 de julio de 2007. 
  18. ↑ «The Singer». Internet Movie Data Base. Consultado el 9 de julio de 2007. 
  19. ↑ a b Manuel Ernesto Rivera (2008-08-07). «Muere película de Lavoe para Raúl Carbonell» (en spanish). Primera Hora. Consultado el 10 de agosto de 2008. 
  20. ↑ «Regresa "¿Quién mató a Héctor Lavoe?"» (en spanish). Fundación Nacional para la Cultura Popular. 2005–05-12. Consultado el 9 de julio de 2007. 
  21. ↑ THEATER REVIEW; Out-of-It, Arrogant And a Salsa Legend from the New York Times July 27, 1999
  22. ↑ Amary Santiago Torres (2008-08-08). «Regresa al pueblo del salsero» (en spanish). Primera Hora. Consultado el 11 de agosto de 2008. 
  23. ↑ http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:09ftxzwjldhe
  24. ↑ a b c d e f g h i j k l m «Hector Lavoe - Discografia» (en spanish). Consultado el 23 de junio de 2007. 
  25. ↑ a b c d e f g h i j k l m «Hector Lavoe - Discographia» (en spanish). Consultado el 23 de junio de 2007. 
  26. ↑ a b c d «Internet Movie Database - Héctor Lavoe». Consultado el 23 de junio de 2007. 

Bibliografía[editar]

Infante, 1999 (ed.). La historia del cantante, Héctor Lavoe: 1946-1993 : una biografía. p. 143. ISBN 9780966155723. 

External links[editar]



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