Pablo de Rojas
Era hijo de un pintor de Cerdeña, apellidado Raxis, asentado en Alcalá la Real. En 1579 se trasladó a Granada, recibiendo el magisterio de Rodrigo Moreno. Estableció su taller en Santiago, teniendo como discípulo a Juan Martínez Montañés.
Personalidad y Estilo[editar]
His work links the mannerism to baroque. Create models of the Andalusian crucified Christs and Castilla. Red crucifixes are emotional, They are carved to be Closely covered with minimal bloodshed and true bony anatomy. The loincloth (fastened with rope) has two nodes (one hip) Depending greatest. Rojas was the precursor of aesthetic elevation of the processional imagery. Tends to consideration of size alone, sober and resounding stroke of great plasticity. His professional reputation led him to be very reputed in Granada, Jaén and Córdoba where I developed a very prolific work of altarpieces, pictures, litter, tabernacles and badges. That Martín González notes his sculptures "are at ease; present naturally bent folds, long hair fall heads crucifo In deSpanish l pa civil war, and venerated With the title of." Humility "in Alcaudete (Jaén) Receiving worship in the Convent of San Francisco, Also During the Spanish civil war destroyed pa war, and venerated With the title of "Humility" in Alcaudete (Jaén) Receiving worship in the Convent of San Francisco, Also destroyed durinReindeer of Sorrows Churchd inviting contemplative prayer "a, 158.