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Clasificación por edades

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Una clasificación por edades (también conocida como calificación de madurez) califica la idoneidad de las emisiones de televisión, películas, cómics o videojuegos para su audiencia. Una clasificación de contenido generalmente coloca una fuente de medios en una de varias categorías diferentes, para mostrar qué grupo de edad es adecuado para ver los medios de comunicación y el entretenimiento. Las categorías individuales incluyen los grupos de edad indicados dentro de la categoría, junto con todas las edades mayores que las edades de esa categoría.

URSS

[editar]

URSS es una ortografía alternativa de la URSS. En otros idiomas, significa Union des républiques socialistes soviétiques (francés), Unyon ng mga Republikang Sosyalistang Sobyet (Filipino), Uni Republik Sosialis Soviet (Indonesia), Unione delle Repubbliche Socialiste Sovietiche (Italiano), Unio das Repúblicas Soviéticas Socialistass (Portugués), Uniunea Republicilor Sovietice Socialiste (Rumano), entre otros. Dentro de la propia Unión Soviética, "URSS" fue la abreviatura de escritura latina preferida para el país hasta la Segunda Guerra Mundial, cuando fue reemplazado por "URSS".

URSS también puede referirse a:

CI

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  1. Her Polished Family (1912) - la primera historia vendida por Sullivan a Edison
  2. When Lee Surrenders (1912) (escenario)
  3. The Altar of Death (West, 1912) (codirector, guionista con T. Ince)
  4. The Army Surgeon (F. Ford, 1912) (escritor)
  5. The Invaders (F. Ford and T. Ince, 1912) (sin acreditar)
  6. The Dead Pay (1912) (escenario)
  7. A Shadow of the Past (T. Ince, 1913) (escenario)
  8. Days of '49 (T. Ince, 1913) (escenario)
  9. The Witch of Salem (West, 1913) (escritor)
  10. Will o' the Wisp (1913) (escritor)
  11. The Reaping (1913) (cuento)
  12. The Seal of Silence (1913) (escenario)
  13. The Boomerange (1913) (escenario)
  14. The Battle of Gettysburg (T. Incee, 1914) (Títulos)
  15. The Telltale Hatband (1913) (escenario)
  16. The Paymaster's Son (1913) (escenario)
  17. The Bargain (Barker, 1914)
  18. The Wrath of the Gods (1914) (escritor)
  19. One of the Discarded (1914) (escritor)
  20. Two-Gun Hicks (Hart, 1914) (escritor)
  21. In the Sage Brush Country (1914) (escenario, cuento)[1]
  22. The Hour of Reckoning (1914) (escrito por)
  23. Shorty and the Fortune Teller (1914) (cuento)
  24. Shorty and Sherlock Holmes (1914)[2]
  25. Mother of the Shadows (Osborne, 1914)[3]
  26. Destiny's Night (1914)[4]
  27. Not of the Flock (Sidney, 1914) (producer)[5]
  28. Markia, aka The Fall of Carthage (1914)[6]
  29. The City of Darkness (1914)[7]
  30. Breed o' the North (1914) (escritor)
  31. Willie (1914) (scenario)
  32. The Worth of a Life (1914) (cuento)
  33. The World of His People (1914) (cuento)[8]
  34. Satan McAllister's Heir (1915) (escritor)
  35. The Last of the Line (T. Ince, 1915) (escenario)[9]
  36. The Roughneck (Hart and Smith, 1915) (escritor)
  37. The Ruse (Hart and Smith, 1915) (escritor)
  38. Pinto Ben (Hart, 1915)
  39. Mr. 'Silent' Haskins (1915) (escritor)
  40. The Cross of Fire (1915) (written by)
  41. In the Land of the Otter (1915) (written by)
  42. The Grudge (1915) (escritor)
  43. The Darkening Trail (1915) (escritor)[10]
  44. On the Night Stage (Barker, 1915) (cuento)[10]
  45. Winning Back (1915) (escenario)[11]
  46. On the High Seas (1915)[12]
  47. The Shoal Light (1915)[13]
  48. The Tools of Providence (1915) (escenario)
  49. The Floating Death (1915) (escenario)
  50. The Reward (scenario)[14]
  51. Hostage of the North (1915)[15]
  52. The Man from Nowhere, aka The Silent Stranger (1915) (scenario, story for The Silent Stranger)
  53. The Cup of Life (West, 1915) (escritor)[10][16]
  54. The Painted Soul (Sidney, 1915) (escritor)[17]
  55. The Iron Strain (Barker, 1915) (escenario)[17]
  56. The Man Who Went Out (1915)[18]
  57. Matrimony (Sidney, 1915) (escenario)[19]
  58. In the Switch Tower (1915) (escenario)[20]
  59. The Girl Who Might Have Been (1915) (escritor)[21]
  60. The Man from Oregon (1915) (escenario)[22]
  61. The Toast of Death (1915) (escenario)[23]
  62. The Mating (1915) (escenario)[24]
  63. Between Men (1915) (screenplay, story)
  64. The Winged Idol (1915) (escenario)[25]
  65. The Golden Claw (Barker, 1915) (escenario)[26]
  66. The Forbidden Adventure (1915) (escenario)
  67. The Edge of the Abyss (1915) (escenario)
  68. The Scourge of the Desert (1915) (escritor)
  69. The Italian (Barker, 1915) (cuento) - ranked #15 at the box office in 1915[27]
  70. The Valley of Hate (1915)[28]
  71. The Coward (Barker, 1915)
  72. The Aryan (Hart and Smith, 1915) (screenplay, cuento)
  73. Peggy (Giblyn, 1915) (escritor)[29]
  74. The Beckoning Flame (1916) (escenario)
  75. The Conqueror (Barker, 1916) (escenario)
  76. Honor's Altar (1916) (escenario)[30]
  77. The Last Act (1916) (escenario)
  78. The Moral Fabric (1916) (escenario)
  79. The Stepping Stone (Barker, 1916) (escenario)[31]
  80. Civilization's Child (Giblyn, 1916) (escritor)
  81. The No-Good Guy (Edwards, 1916) (escenario)
  82. The Dividend (1916) (escritor)
  83. The Beggar of Cawnpore (Swickard, 1916) (escenario)
  84. Not My Sister (Giblyn, 1916) (escritor)
  85. The Market of Vain Desire (Barker, 1916) (story)
  86. The Bugle Call (Barker, 1916) (escenario)
  87. The Eye of the Night (Edwards, 1916) (escritor)[32]
  88. The Payment (West, 1916) (escenario)
  89. Home (1916) (escenario)
  90. A Corner in Colleens (Miller, 1916) (escenario)
  91. The Dawn Maker (Hart, 1916) (screenplay, cuento)
  92. Plain Jane (Miller, 1916) (escenario)
  93. The Criminal (Barker, 1916) (escenario)
  94. The Corner (1916) (screenplay, cuento)
  95. Shell 43 (Barker, 1916) (escritor)
  96. Hell's Hinges (Hart and Swickard, 1916) (screenplay, cuento)[33]
  97. The Green Swamp (Sidney, 1916) (escritor)
  98. Civilization (T. Ince, 1916) (escritor)
  99. The Wolf Woman (1916) (escenario)
  100. The Return of Draw Egan (Hart, 1916) (screenplay, cuento)
  101. The Thoroughbred (Bartlett, 1916) (escenario)
  102. Three of Many (1917) (screenplay, cuento)
  103. The Iced Bullet (Barker, 1917) (escenario)
  104. The Pinch Hitter (1917) (scenario)
  105. Happiness (Barker, 1917) (writer)
  106. The Zeppelin's Last Raid (1917)
  107. The Hater of Men (1917) (escenario)[34]
  108. The Girl, Glory (1917) (escenario)
  109. The Crab (1917) (escenario)
  110. Those Who Pay (Wells, 1918) (escenario)
  111. Without Honor (1918) (cuento)
  112. Keys of the Righteous (1918) (screenplay, cuento)
  113. Love Me (Neill, 1918) (escenario)
  114. The Cast-Off (1918) (escenario)
  115. Selfish Yates (Hart, 1917) (screenplay, cuento)
  116. Shark Monroe (Hart, 1918) (screenplay, cuento)[33]
  117. Vive la France! (1918) (escenario)
  118. The Border Wireless (Hart, 1918) (escritor)
  119. When Do We Eat? (1918) (screenplay, cuento)
  120. Branding Broadway (Hart, 1918) (escritor)[33]
  121. Naughty, Naughty (Storm, 1918) (cuento)
  122. The Vamp (Storm, 1918)
  123. The Poppy Girl's Husband (Hart and Hillyer, 1919) (escenario)[35]
  124. Stepping Out (Niblo, 1919)[36]
  125. The Market of Souls (De Grasse, 1919)
  126. John Petticoats (Hillyer, 1919) (escenario, cuento)
  127. Wagon Tracks (Hillyer, 1919) (screenplay, cuento)[37]
  128. Happy Though Married (Niblo, 1919) (escritor)
  129. The Haunted Bedroom (Niblo, 1919) (screenplay, cuento)[38]
  130. Other Men's Wives (Schertzinger, 1919) (screenplay, cuento)
  131. Sahara (Rosson, 1919) (cuento, escenario)[39]
  132. The Virtuous Thief (Niblo, 1919) (screenplay, cuento)[33]
  133. Stepping Out (1919) (escenario, cuento)
  134. Dangerous Hours (Niblo, 1919) (escenario)
  135. The Lady of Red Butte (1919) (screenplay, story)
  136. The Woman in the Suitcase (1920) (screenplay, story)
  137. Love Madness (Henabery, 1920) (screenplay, story)[40]
  138. Sex (Niblo, 1920) (writer)
  139. The False Road (Niblo, 1920) (screenplay, story)
  140. Hairpins (Niblo, 1920) (screenplay, story)
  141. Good Women (Gasnier, 1921) (screenplay, story)
  142. Mother O' Mine (Niblo, 1921) (adaptation)[41]
  143. Greater Than Love (Niblo, 1921) (escritor)
  144. Hail the Woman (Wray, 1921) (escritor)[33]
  145. White Hands (Hillyer, 1922) (story)
  146. Human Wreckage (Wray, 1923) (escritor)[42]
  147. Soul of the Beast (Wray, 1923) (story)
  148. Dulcy (S. Franklin, 1923) (escritor)[43]
  149. The Dangerous Maid (Heerman, 1923) (escritor)
  150. Long Live the King (Schertzinger, 1923) (adaptation)[44]
  151. Strangers of the Night (Niblo, 1923) (adaptation)
  152. The Goldfish (Storm, 1924) (escritor)[45][46]
  153. The Marriage Cheat (Wray, 1924) (adaptation)
  154. Wandering Husbands (Beaudine, 1924) (screenplay, story)[47]
  155. The House of Youth (R. Ince, 1924) (escritor)
  156. The Only Woman (Olcott, 1924) (escritor)[48]
  157. Idle Tongues (Hillyer, 1924) (adaptation)
  158. The Mirage (Archainbaud, 1924) (adaptation)
  159. Dynamite Smith (R. Ince, 1924) (screenplay, story)[49]
  160. Cheap Kisses (R. Ince and Tate, 1925) (screenplay, story, producer)
  161. The Monster (West, 1925) (titles)
  162. Playing with Souls (R. Ince, 1925) (adaptation)
  163. The Pinch Hitter (1925) (story)
  164. Wild Justice (C. Franklin, 1925) (screenplay, story)[50]
  165. Tumbleweeds (Baggot, 1925) (adaptation)
  166. If Marriage Fails (J. Ince, 1926) (screenplay, story)
  167. Three Faces East (Julian, 1926) (adaptation)
  168. Bachelor Brides (Howard, 1926) (adaptación y escenario)
  169. Sparrows (Beaudine, 1926) (adaptation)
  170. Gigolo (Howard, 1926) (supervising story editor)[51]
  171. Her Man o' War (1926) (supervisor)
  172. The Clinging Vine (1926) (presenter)
  173. Corporal Kate (1926) (supervisor)
  174. The Bugle Call (Sedgwick, 1927) (escritor)
  175. Turkish Delight (1927) (supervisor)
  176. Vanity (supervisor)
  177. The Yankee Clipper (1927) (producer)[52]
  178. White Gold (1927) (producer)[52]
  179. Tempest (Taylor, 1928) (writer)
  180. The Woman Disputed (H. King and Taylor, 1928) (screenplay)
  181. Sadie Thompson (Walsh, 1928) (titles, editor)
  182. Alibi (West, 1929) (screenplay)
  183. The Locked Door (Fitzmaurice, 1929) (screen adaptation)
  184. All Quiet on the Western Front (1930) (supervising story chief)
  185. What Men Want (1930) (supervising story editor)
  186. Hell's Heroes (1930) (chief story supervisor)
  187. The Cuban Love Song (Van Dyke, 1931) (screenplay)
  188. Huddle (Wood, 1932) (dialogue continuity)
  189. Strange Interlude (Strange Interval) (Leonard, 1932) (dialogue continuity)
  190. Skyscraper Souls (Selwyn, 1932) (adaptation)
  191. Men Must Fight (Selwyn, 1933) (writer)
  192. Father Brown, Detective (Sedgwick, 1934) (escritor)
  193. Car 99 (Barton, 1935) (screenplay)
  194. The Awakening of Jim Burke (1935) (story, production supervisor)
  195. Three Live Ghosts (Humberstone, 1936) (screenplay)
  196. The Robin Hood of El Dorado (1936) (sin acreditar)
  197. The Buccaneer (DeMille, 1938) (screenplay)
  198. Union Pacific (DeMille, 1939) (screenplay)
  199. North West Mounted Police (DeMille, 1940) (guion)
  200. Jackass Mail (McLeod, 1942) (story)
  201. The Buccaneer (1958) (basado en el guion de Sullivan de 1938)
  1. «advertisement». TheLancaster Daily Eagle. January 29, 1915.  ("A romantic adventure of a woman of the '50s by C. Gardner Sullivan and Thos. H. Ince. Featuring Rhea Mitchell, Herchal Mayal, Thos. Kuribara and Wm. S. Hart, the man who played 'Hicks' in Monday's Broncho drama 'The Passing of Two Gun Hicks.'")
  2. «LATEST SHORTY STORY: Feature Picture at Bijou Theatre For the Remainder of the Week». Newport Daily News. November 20, 1914.  ("The feature picture at the Bijou Theatre for the remainder of the week is the Broncho two-reel film, 'Shorty and Sherlock Holmes,' the latest release of the well known Shorty stories by C. Gardner Sullivan and Thomas H. Ince.")
  3. «advertisement». The Cedar Rapids Republican. December 10, 1914.  ("Kay Bee in 2 parts—-the thrilling story of a Heroic Indian Girl by Thomas H. Ince and C. Gardner Sullivan")
  4. «advertisement». The Evening Gazette (Iowa). December 14, 1914.  ("Broncho in Two Parts. An unique plot with a happy finale, by Thomas H. Ince and C. Gardner Sullivan.")
  5. «AMUSEMENTS». Naugatuck Daily News. December 22, 1914.  ("'Not of the Flock' is the love story of a girl who never had a chance. It was produced by C. Gardner Sullivan and Thomas H. Ince and the cast includes Charles French, Charles Ray, Enid Markey, Margaret Thompson and Webster W. Campbell.")
  6. «AMUSEMENTS». Naugatuck Daily News. December 23, 1914. 
  7. «advertisement». The Evening Gazette. December 28, 1914.  ("Broncho in Two Parts. A thrilling Drama of the Electric Chair by C. Gardner Sullivan and Thomas H. Ince.")
  8. «A Western Romance: History of Feature Picture in New Bill at the Bijou Theatre». Newport Daily News. November 11, 1914.  ("The feature picture in the new bill at the Bijou Theatre for today and tomorrow is a two-reel Kay Bee film, 'The Word of His People,' a romance of Western life, by Thomas H. Ince and C. Gardner Sullivan.")
  9. «advertisement». Middletown Daily Times-Press. February 27, 1915.  ("C. Gardner Sullivan and Thomas H. Ince Present 'The Last of the Line' A Thrilling (Broncho) Story of an Old Indian and His Renegade Son.")
  10. a b c «William S. Hart in "The Darkening Trail"». Galveston Daily News. June 6, 1915.  ("C. Gardner Sullivan, the author of the feature and also author of 'The Cup of Life' and 'On the Night Stage,' is probably most admired of truly American dramatists writing original stories for the screen.")
  11. «advertisement». The Lancaster Daily Eagle. April 5, 1915.  ("And a Special Two-Reel Broncho Drama 'WINNING BACK' Wherein a Faithful Wife Adopts Desperate Methods to hold her hutband's love, by C. GARDNER SULLIVAN and THOS. H. INCE.")
  12. «Amusements». The Lancaster Daily Eagle. April 9, 1915. ("Two reels. A thrilling drama on shipboard by C. Gardner Sullivan and Thomas H. Ince.")
  13. «advertisement». The Lancaster Daily Eagle. June 14, 1915. ("Special Two-Reel Domino Drama 'THE SHOAL LIGHT' A Charming Story of Love and Adventure by THOS H. INCE and C. GARDNER SULLIVAN.")
  14. «advertisement». Des Moines Capital. June 25, 1915.  ("'Reward' By C. Gardner Sullivan ... A careful picture of a chorus girl's life hack of the stage, from the dressing room to the wings the back-stage world is shown in detail, as are the intriguings of the back-stage Johnny.")
  15. «advertisement». The Lancaster Daily Eagle. June 30, 1915.  ("'Hostage of the North' A Powerful and Thrilling Drama of the Alaska Gold Fields by C. Gardner Sullivan and Thos. H. Ince.")
  16. «advertisement». The Lancaster Daily Eagle. August 12, 1915. ("The Cup of Life By C. Gardner Sullivan Featuring Bessie Barriscale")
  17. a b «No Rest for Bessie». The Atlanta Constitution. August 22, 1915. ("Like 'The Iron Strain,' 'The Painted Soul' is from the joint pens of C. Gardner Sullivan and Thomas H. Ince.")
  18. «advertisement». The Lancaster Daily Eagle. August 25, 1915. ("'The Man Who Went Out' A Special Two-Reel Domino Drama by C. Gardner Sullivan and Thos. H. Ince")
  19. «advertisement». Waterloo Times-Tribune. December 18, 1915. ('Matrimony' By C. Gardner Sullivan and Thomas H. Ince")
  20. «advertisement». The Lancaster Daily Eagle. April 26, 1915.  ("Special Two Reel Broncho Drama 'In the Switch Tower' A thrilling drama of railroad life, by Thos. H. Ince and C Gardner Sullivan. Featuring Waller Edwards, Frank Borzage, Lewis Morrison, Gertrude Claire and Lewis Durham")
  21. «advertisement». the Lancaster Daily Eagle. April 16, 1915. ("Special Two Reel Kay.Bee Drama 'The Girl Who Might Have Been' Wherein a dance hall girl proves her gratitude to her benefactor. By C. Gardner Sullivan and Thos. H. Ince. Featuring Leona Mutton, Frank Borzage and Edw. Brennan.")
  22. «'The Man from Oregon,' One of Most Striking Photoplays At Jefferson To-Day». Fort Wayne Journal-Gazette. October 16, 1915. ("C. Gardner Sullivan, author of 'The Man from Oregon', long a well known newspaper man whose profession has frequently brought him in close touch with various lobbies and the powers behind them, is exceptionally well versed of the corrupt methods used and in writing this photodrama, his knowledge has stood him in good stead.")
  23. «In Local Theaters». Galveston Daily News. August 16, 1915.  ("C. Gardner Sullivan has again taken his virile pen in hand and written of life. This time he has shown a deeper insight into the character of men and women who make up a world. ... This prediction is unquestionable, after seeing 'The Toast of Death,' the new C. Gardner Sullivan — Thomas H. Ince Mutual Masterpiece ...")
  24. «Bessie Barriscale Will Be Seen in 'The Mating,' an Excellent Film That Will Appeal to All Lovers of Real Art and Ability». Galveston Daily News. July 25, 1915.  ("C. Gardner Sullivan wrote the scenario.")
  25. «advertisement». The La Crosse Tribune. January 12, 1916. ("'The Winged Idol' By C. Gardner Sullivan")
  26. «'The Golden Claw': A Strong Five-Reel Kay-Bee by C. Gardner Sullivan». Daily Advocate. February 26, 1916.  ("A motion picture story of the highest class, of vital subject, original development and striking characterization, 'The Golden Claw' is one of those rare products calculated to interest many millions of intelligent people and bring into tho fold those other millions of intelligent people who are repelled by poor examples of new art.")
  27. «advertisement». Warren Evening Times. February 9, 1915.  ("By Thomas H. Ince and C. Gardner Sullivan, Produced by H. Ince, producer of 'The Typhoon' and 'The Bargain.' A simple story of Love and Faith and Loyalty that will appeal to all people.")
  28. «The Valley of Hate». Titusville Herald. 31 de mayo de 1915. ("A stirring drama of the Tennessee hills, in which a most beautiful story is told. Written by C. Gardner Sullivan and produced under the personal direction of Thomas H. Ince, featuring the talented actress, Rhea Mitchell, with an exceptionally strong company.")
  29. «Billie Burke Crystalline in Play of 'Peggy'». Los Angeles Times. December 21, 1915. 
  30. Pansy Panitall (February 20, 1916). «Criticisms». Atlanta Constitution.  ("'Honor's Altar' should do as much as any picture I have seen to establish he right of the narrative over all other things else on the screen. ... In the entire picture Gardner Sullivan has shown us a remarkable piece of screen carpentry. He has taken a more or less fresh theme and woven around it a simple narrative that hasn't a single thrill a solitary punch or trick.")
  31. «Screen». Los Angeles Times. June 25, 1916.  ("an unusual photodrama by C. Gardner Sullivan")
  32. Grace Kingsley (June 18, 1916). «Lighthouse Keeping». Los Angeles Times.  ("a heart-interest story from the pen of C. Gardner Sullivan")
  33. a b c d e «Gardner Sullivan Signs With Ince». Los Angeles Times. August 26, 1921. 
  34. «advertisement». Los Angeles Times. June 24, 1917.  ("C. Gardner Sullivan's Gripping Story of New York Bohemian Life")
  35. Antony Anderson (April 15, 1919). «Films: Poppy Girl's Husband; William S. Hart in Powerful Crook Play». Los Angeles Times.  ("We are accustomed to think of Bill Hart as a 'bad man,' but now C. Gardner Sullivan, who has made him bad so many times in motion pictures, has made him worse.")
  36. «HERE'S HOPING FOR MORE LIKE THIS ONE». Los Angeles Times. September 16, 1919.  ("It's thanks to directors such as Fred Niblo, writers such as C. Gardner Sullivan ... that we are getting real life on the screen, instead of the tiresome old artificial stuff ...")
  37. Grace Kingsley (September 2, 1919). «Flashes: Hart Rings Bell; 'Wagon Tracks' Is Greatest Desert Epic». Los Angeles Times.  ("the background of this masteripiece of Mr. Sullivan's -- this strikingly original story")
  38. «advertisement». Los Angeles Times. July 3, 1919.  ("'The Haunted Bedroom' was written by C. Gardner Sullivan, author of 'Civilization,' the great Ince spectacle, and considered the foremost contributor to film literature.")
  39. «A Bred-In-The-Bone Scenario Writer: Sullivan Learned Game Right in Picture Studio». Los Angeles Times. July 27, 1919.  ("This brilliant author is found at his best, it is said, in his newest drama, 'Sahara' ...")
  40. «'Love Madness' Appeals». Los Angeles Times. September 28, 1920.  ("The story by C. Gardner Sullivan tells of a woman who cleverly outwits a band of crooks to save her husband's life, after he has been accused of murder.")
  41. Edwin Schallert (August 18, 1921). «Reviews: Mother O' Mine; Human Action and Adventure in Ince Feature». Los Angeles Times.  ("The film is an original by C. Gardner Sullivan, in which the inspiration apparently is Kipling's celebrated poem of the same title.")
  42. «Picture Bills of Interest on View: Human Wreckage». Los Angeles Times. August 12, 1923.  ("C. Gardner Sullivan wrote the story and builds to dramatic climaxes ...")
  43. «TO DIRECT TALMADGE PICTURES: Dean of Scenarists Is Engaged as Director of Talented Sisters». Los Angeles Times. January 27, 1923.  ("The appointment comes, not only in recognition of Mr. Sullvan's long conceded place as editorial director, but as the direct outcome of his contributions to the filming of 'Connie's' last picture, 'Dulcy,' the deft and refreshing qualities of which, particularly the titles prepared by Mr. Sullivan, have received widespread comment.")
  44. «Cost Not Considered by Coogan». Los Angeles Times. June 10, 1923.  ('Long Live the King,' adapted by Eve Unsell and C. Gardner Sullivan, from Mary Roberts Rhinehart's novel of that name ...")
  45. «Screen Star Leads Hectic Marital Life». Los Angeles Times. January 17, 1924.  ("'The Goldfish,' adapted by C. Gardner Sullivan from Gladys Unger's stage play ...")
  46. «C. Gardner Sullivan Busy». Los Angeles Times. February 13, 1924.  ("'The Goldfish,' which he adapted from Marjorie Rambeau's popular stage success of that name.")
  47. «'Wandering Husbands' for Mission Screen». Los Angeles Times. June 6, 1924.  ("The story of 'Wandering Husbands' is by C. Gardner Sullivan ...")
  48. «Norma Lives Her Roles». Los Angeles Times. November 23, 1924.  "'The Only Woman' was directed by Olcott from the original story by C. Gardner Smith.")
  49. «Somber Melodrama: Dynamite Smith». Los Angeles Times. September 10, 1924. ("The picture was directed by Ralph Ince, and the scenario was written by C. Gardner Smith ...")
  50. «'Wild Justice' Only Another Dog Movie». Los Angeles Times. August 31, 1925.  ("C. Gardner Sullivan is credited with its creation and well he might, for he has written it innumerable times before.")
  51. Edwin Schallert (October 2, 1926). «Playdom: 'Gigolo' Unusual; Paul Whiteman Jazz Festival Delights Crowd». Los Angeles Times.  ("C. Gardner Sullivan supervised this picture, which has been unusually well directed by William K. Howard.")
  52. a b «SULLIVAN KNOWS HIS BOX OFFICE: Producer of 'White Gold' Says Studio Must Watch Change in Public». Los Angeles Times. March 27, 1927.