Diferencia entre revisiones de «Alain Milhaud»

Alain Milhaud
Información personal
Nacimiento	1930 ; Ginebra (Suiza)
Fallecimiento	24 de abril de 2018 ; Madrid (España)
Causa de muerte	Tumor cerebral
Nacionalidad	Francesa
Información profesional
Ocupación	Productor discográfico
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Revisión del 01:23 27 abr 2018

Alain Milhaud (Ginebra, 1930-Madrid, 24 de abril de 2018)^[1] fue un productor y mánager suizo que desarrolló buena parte de su carrera en España, donde es especialmente conocido por su labor junto al grupo Los Bravos^[2] y los Canarios.^[1]

Biografía

Como productor, participó en numerosas grabaciones de los años sesenta, muchos de ellos grandes éxitos en España, como La moto de Los Bravos, Get on Your Knees de Canarios,^[3] Mammy Blue de Pop-Tops^[4] o «El garrotín de Smash.^[5]

Concluyó su actividad profesional estando al frente de Bocaccio Ediciones Musicales.^[6]

Falleció en el Hospital Universitario La Moraleja de Madrid a causa de un tumor cerebral.^[1]

Referencias

↑ ^a ^b ^c Redacción (25 de abril de 2018). «Fallece a los 88 años el productor musical Alain Milhaud, descubridor de Los Bravos y Los Canarios». EcoDiario.es. Consultado el 25 de abril de 2018.
↑ García Lloret, Pepe (2006). Psicodelia, hippies y underground en España (1965-1980). Zaragoza: Zona de Obras/SGAE. p. 190. ISBN 978-84-8048-692-7. |fechaacceso= requiere |url= (ayuda)
↑ Diego Alfredo Manrique (4 de agosto de 2011). «El legado maldito de Los Canarios». El País. Consultado el 22 de octubre de 2011.
↑ Pardo, Jorge Ramón (2005). Historia del pop español. Madrid: Rama Lama Music. p. 456. ISBN 84-9343-070-6. |fechaacceso= requiere |url= (ayuda)
↑ La Caja de Música, ed. (noviembre de 2006). «Entrevista a Gualberto». Consultado el 22 de octubre de 2011.
↑ Web de Bocaccio Ediciones Musicales.

Datos: Q5662111

[:0-1] Redacción (25 de abril de 2018). «Fallece a los 88 años el productor musical Alain Milhaud, descubridor de Los Bravos y Los Canarios». EcoDiario.es. Consultado el 25 de abril de 2018.

[2] García Lloret, Pepe (2006). Psicodelia, hippies y underground en España (1965-1980). Zaragoza: Zona de Obras/SGAE. p. 190. ISBN 978-84-8048-692-7. |fechaacceso= requiere |url= (ayuda)

[3] Diego Alfredo Manrique (4 de agosto de 2011). «El legado maldito de Los Canarios». El País. Consultado el 22 de octubre de 2011.

[4] Pardo, Jorge Ramón (2005). Historia del pop español. Madrid: Rama Lama Music. p. 456. ISBN 84-9343-070-6. |fechaacceso= requiere |url= (ayuda)

[5] La Caja de Música, ed. (noviembre de 2006). «Entrevista a Gualberto». Consultado el 22 de octubre de 2011.

[6] Web de Bocaccio Ediciones Musicales.

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@@ Línea 3: / Línea 3: @@
 '''Alain Milhaud''' ([[Ginebra]], [[1930]]-[[Madrid]], [[24 de abril]] de [[2018]])<ref name=":0">{{Cita noticia|apellidos=Redacción|nombre=|título=Fallece a los 88 años el productor musical Alain Milhaud, descubridor de Los Bravos y Los Canarios|url=http://ecodiario.eleconomista.es/musica/noticias/9095706/04/18/Fallece-a-los-88-anos-el-productor-musical-Alain-Milhaud-descubridor-de-Los-Bravos-y-Los-Canarios.html|fecha=25 de abril de 2018|fechaacceso=25 de abril de 2018|periódico=EcoDiario.es|página=}}</ref> fue un [[Productor discográfico|productor]] y [[mánager]] [[Suiza|suizo]] que desarrolló buena parte de su carrera en [[España]], donde es especialmente conocido por su labor junto al grupo [[Los Bravos]]<ref>{{cita libro |apellido=García Lloret |nombre=Pepe |título=Psicodelia, hippies y underground en España  (1965-1980) |fechaacceso=22 de octubre de 2011 |año=2006 |editorial=[[Zona de Obras]]/[[SGAE]]|ubicación=Zaragoza |isbn= 978-84-8048-692-7 |capítulo= |páginas=190 }}</ref> y [[los Canarios]].<ref name=":0" />
+== Biografía ==
-Despite all of my attempts to be cool, I didn’t feel as if the other kids respected me as such. I
+Como productor, participó en numerosas grabaciones de los años [[Decada de 1960|sesenta]], muchos de ellos grandes éxitos en España, como ''[[La moto]]'' de Los Bravos, ''Get on Your Knees'' de Canarios,<ref>{{cita web |url=http://www.elpais.com/articulo/revista/agosto/legado/maldito/Canarios/elpten/20110804elpepirdv_3/Tes |título=El legado maldito de Los Canarios |fechaacceso=22 de octubre de 2011|autor=[[Diego Alfredo Manrique]] |fecha=4 de agosto de 2011 |obra=[[El País]] |idioma= |cita= }}</ref> ''Mammy Blue'' de [[Pop-Tops]]<ref>{{cita libro
-was still quite the outcast, as I always will be.
+|apellido=Pardo |nombre=Jorge Ramón |título=Historia del pop español |fechaacceso=22 de octubre de 2011 |año=2005 |editorial=Rama Lama Music  |ubicación=Madrid |isbn=978-84-9343-070-6 |páginas=456 }}</ref> o «''El garrotín'' de [[Smash (banda)|Smash]].<ref>{{cita web
- My social life changed somewhat when Mrs. Damart announced that we would have new seating
+|url=http://www.dlsi.ua.es/~inesta/LCDM/Entrevistas/gualberto_nov06.html
-arrangements in class, and the process of deciding on who sits where was up to us. Our class consisted
+|título=Entrevista a Gualberto |editor=La Caja de Música |fechaacceso=22 de octubre de 2011 |fecha=noviembre de 2006}}</ref>
-of tables that seated about five to six people, and when our name was called randomly, we could choose
-anywhere to sit, meaning that everyone had a chance to sit with their group of friends. I didn’t have a
+Concluyó su actividad profesional estando al frente de Bocaccio Ediciones Musicales.<ref>[http://www.bocaccioediciones.com/historia.asp Web] de Bocaccio Ediciones Musicales.</ref>
-core group of friends, so I was thrown into a state of panic.
- Originally, I was sitting at the table where Philip’s clique sat, but all of their names were called before
+Falleció en el [[Hospital universitario|Hospital Universitario]] La Moraleja de Madrid a causa de un [[tumor cerebral]].<ref name=":0" />
-me, and I was booted from their table. At this point, I just chose to sit anywhere, and I ended up sitting
-next to John Jo Glen. Matt Bordier and Danny Dayani also sat at our table. These were kids who I
-regarded as cool, so I was content with sitting with them.
- I never really interacted with John Jo Glen that much in the past. He was one of the biggest jerks of
-the school, next to Trevor and Keaton. We quarreled a bit at the start, but soon enough we started
-socializing, and I talked with him about some new games I got for my Playstation 2. We became friends
-when John Jo suddenly asked me if he can come over to my house. I felt happy that he asked me this… it
-would be the first playdate I would have without my mother arranging it for me. This would spark a fun
-new friendship that would last well after Fifth Grade. The random seating arrangement next to John Jo
-was the best thing to happen to me in Elementary School.
- Despite my struggles to be regarded as “cool” and my obsession with attaining such recognition, Fifth
-grade was my favorite school year in Elementary School. I played with more people than I ever did in
-previous grades, I was less shy, I wasn’t a dork, and I had an awesome time learning how to skateboard
-and hacky sack. It was memorable year filled with joyful experiences.
- I didn’t want the school year to end. Once Fifth grade was over, I will have to go to Middle School,
-and the prospect filled me with anxiety. My little innocent mind always looked at Middle School as
-something far in the future, when I grow up. I didn’t want to grow up. I was enjoying my life as a kid
-right at that moment. I didn’t think about the future.
- Kids in my class told many rumors of Middle School life that filled me with fear and sent a shiver
-through my spine. Even through watching movies and T.V. shows I got a glimpse of what was in store for
-a Middle Schooler. There was talk of girls, and how it would soon be “cool” to be popular with the girls.
-Girls were like completely foreign creatures to me. I never interacted with them… I wasn’t expected to.
-In Elementary School, boys played with boys and girls played with girls. That was what I was used to.
-That was my world. I heard stories of how boys are expected to start kissing girls in Middle School! Such
-things overwhelmed me. I tried to dismiss it as much as I could and enjoy my life in the present moment.
- My school arranged a camping trip for the entire Fifth Grade class before graduation day. At first I
-didn’t want to go because I would be away from my parents for five days, something I was never used
-to. I was afraid I would get too homesick. I never spent more than one night away from my parents. On
-the rare occasion that they had to go out of town for a few days and left me with a nanny, I would cry at
-night.
- My teacher Mrs. Damart came up to me one morning before class started and persuaded me to go,
-saying that the graduation trip was something I wouldn’t want to miss. It would be a once in a lifetime
-experience, and after some hesitation I agreed to go along.
- I forgot exactly where this camping trip took place. It was located at a special camping retreat
-somewhere in the forest to the north of Los Angeles. It was very secluded… a small village of cabins and
-tents surrounded by wilderness and hiking trails. For the trip there, I decided to go with my friends Bryce
-and Charlie in a car instead of taking the school bus with everyone else. This was much more
-comfortable, and I was glad to have snagged a spot in the car with them.
 ==Referencias==